ANCIENT INDIAN ARCHITECTURE- (FROM BL0SSOM TO BLOOM)-by SANJEEV MAHESHWARI & RAJEEV GARG- Publishers CBS
REVIEWED BY- SANJOG MAHESHWARI
Maheshwari and Garg’s book, Ancient Indian Architecure- From Blossom to Bloom, is already into its hard cover edition after being warmly received by the students and academics alike for the scholarly enterprise with which it weaves information and research into a seamless tapestry embellished with visuals and photographs that records in chronological order Vedic, Buddhist, Hindu and Jaina Architecture. The most interesting section of the title, however, remains the complex web of the Western theory of the Aryan invasion of
According to Prof C.K.Prahlad noted teacher at the
The decades of unbridled politicization and bureaucratization of universities and academic institutions have chased out the spirit of research and enquiry from the campuses. What is left is the debris of mediocre presentations shoved down the throats of the bored students year after year. Most of the writings on, and teaching of , Indian architecture continues to recycle the hackneyed theories of the Western scholars in particular and their Indian minions in general.
The building and town planning principles as enunciated in the “Vaastushastra” were developed, propounded, known and practiced by the Vedic Aryans only. Years of research had gone into developing them. All buildings and structures etc. excavated from these and various other sites conform to the building and town planning principles enshrined in the “Vaastushastra”- an ancient Vedic science of planning cities and building structures that only vedic Aryans knew, propounded and practiced. Since the vedic Aryans were not idol-worshippers no temple like structure could be found anywhere in as many as 500 sites excavated at the Sindhu-Saraswati system. Interestingly no war weapons of any description has been found. Can anybody think of a weapon-less invasion? These and many other evidences obliquely cited by the authors conclusively establishes that the Harappan civilization- the gift of two rivers Indus and Saraswati- is an urban version of predominantly pastoral Vedic civilization evolved to cater to the security and safety requirements of the neo-rich and prosperous of the day and the Vedic Aryans, the original inhabitants of the subcontinent India were in fact the architects of the Mohanjodaro-Lothal-Harappa-Dholavira civilizations. The authors adroitly manipulated the drift to make all this incidental to the subject matter. What else could be the better way to drive home the point they are making? And that too without argument. Did Namier not exhort : “Do not argue with History”?
In the chapters following the one on Vedic Architecture, a thorough in-depth study of the architecture under the various important ruling dynasties of ancient India such as Maurya, Shung-Saatvahans, Gupta, Chalukya, Rashtrakuta, Pallava, Chola, Chandela, Ganga and many other regional dynasties such as Pratihara, Solanki, Parmara, Chera and so forth has been made in chronological order under dynaty-wise titled chapters. Replete with visuals ( graphics and pictorial depiction of the related structures ) at appropriate place alongside the relevant text, the title is a unique work of outstanding quality for which the authors deserve accolades. Points to ponder have been arranged at the end of each chapter. In an impressive Glossary 285 Sanskrit terms used in the text have been explained with consummate skill and clarity which alonwith an exhaustive Bibliography cunningly entices a serious student of Vaastu based Architecture to embark upon a course of unfolding further vistas in the region. However, the personal computer which the authors lovingly call “Pushyamitra” have had some tricks up its silly system otherwise there would not have been too many typographical errors. Given a little diligence they could have been avoided in the hard cover edition at least.
Despite the limitations, the book is undoubtedly a valuable addition to the library of Indian architecture and history. If the excellent get up of the title with so many illustrations is any indication, the publishers have proved that the publishing has come off age in
-SANJOG MAHESHWARI
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